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T H O M A S      L I S E N B E E         from H i G H   W A T E R M A R K   S A L O [O] N  volume 2 number 3

 

"The Flood "

The road disappeared into the still brown water
that cloudless sunny day we left the car
at the barrier and started walking.

It was August. The heat was brutal. He said
where are your shoes but I said no,
my feet are callused. I ended up hopping.

At water’s edge, I turned my head and he motioned me
into the tepid, silted water. I watched my toes
disappear, then my feet, then my ankles.

That’s far enough, son, he cautioned through his cigarette,
his fedora tipped back, his lanky frame turned
by the sun into smoky silhouette.

Small fish hurried across the road. I heard raucous laughter.
Hidden by a hedgerow, a murder of crows mocked
the murky outline of a sunken tractor.

I knew where the river was. You could tell by a row of trees
and the top of the bridge. I had imagined worse.
I had seen Hollywood’s version of Noah’s

Flood and pictures in Life and Look of frightful,
roiling rivers, but this one, the Neosho,
my first to see in flood, had spread

easy upon the land like a drunken, courtly gentleman.
I felt safe but disappointed. There was
no hint of final days. No fear

of being swept away. But this was in my
beginning time when there
were no angry rivers.


 

B I O

 

THOMAS LISENBEE, a small town (pop 2500) Kansas boy gone east in 1963, first to Europe as a musician, then back across the ocean in 1966 to live in Brooklyn. Until 2001 playing the trumpet was how he defined himself?NY City Opera (Principal Trumpet), American Ballet Theater, Mostly Mozart Festival, etc, etc. But no trumpeter’s lip lasts forever, so in 2001 Tom decided it was time to give writing a try. Luckily for him he discovered the Upper Delaware Writer’s Collective and Mary Greene to show him how. He has published five short stories to date, numerous poems and is working on a play and a novel. In 2006, one of his stories was short listed for the Raymond Carver Short Story Prize. That story is the basis for his novel.